Adelheid Heftberger: Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities
DOI:
https://doi.org/10.17892/app.2017.0005.75Keywords:
Dziga Vertov, kinoglaz, kinoki, Russian formalism, neo-formalism, montage, avant-garde, socialist realism, visualisation, quantitative tools, Digital HumanitiesAbstract
Vera Kotelevskaia`s review of the book
Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities
by Adelheid Heftberger
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Copyright (c) 2017 Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
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