No. 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art

View No. 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art

Edited by Ana Hedberg Olenina and Irina Schulzki

DOI: https://doi.org/10.17892/app.2017.0005

Published: 21-12-2017

Editorial

Mediating Gesture in Theory and Practice

Ana Hedberg Olenina, Irina Schulzki
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Articles

The Other as the Self: Legibility of Body Language in Film and Americanisation of Europe

Oksana Bulgakowa
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Nosferatu’s Gesture. Ciné-kinesis in the Silent Era, East and West

Eric Rauth
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Kinemology, or A Science of Movement: A Forgotten Project of the GAKhN

Irina Sirotkina
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Silence and Fog. On Gesture, Time, and Historicity in the Films of Aleksandr Sokurov

Ivan Pintor Iranzo
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Empty Gestures: Mimesis and Subjection in the Cinema of Yorgos Lanthimos

Carlo Comanducci
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Reviews

Tat’iana Dashkova: Telesnost’ – Ideologiia – Kinematograf: Visual’nyi kanon i sovetskaia povsednevnost’

Andrew Chapman
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Adelheid Heftberger: Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities

Vera Kotelevskaia
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Miranda Jakiša and Nikica Gilić (eds.): Partisans in Yugoslavia: Literature, Film and Visual Culture

Dijana Jelača
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Tomislav Šakić: Modernizam u hrvatskom igranom filmu

Edward Alexander
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Karl, Lars and Pavel Skopal (eds.): Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960

David Sorfa
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Ekaterina Makhotina: Erinnerungen an den Krieg – Krieg der Erinnerungen. Litauen und der Zweite Weltkrieg

Andrei Linchenko
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Ellen Rutten: Sincerity after Communism. A Cultural History

Raoul Eshelman
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Susanne Strätling: Die Hand am Werk: Poetik der Poiesis in der russischen Avantgarde.

Vera Kotelevskaia
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