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  3. No. 18 (2024): Decolonising the (Post-)Soviet Screen II

No. 18 (2024): Decolonising the (Post-)Soviet Screen II

					View No. 18 (2024): Decolonising the (Post-)Soviet Screen II

Edited by Heleen Gerritsen

Cover: Still from Krykhka pam’iat’ / Fragile Memory (Ihor Ivanko, 2022, Ukraine, Slovakia). Courtesy of Filmdelights.

 

DOI: https://doi.org/10.17892/app.2024.00018
Published: 21-03-2024

Articles

  • Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s “Eliso”

    Dušan Radunović
    • HTML
  • King Stakh’s Wild Hunt (2023). Belarus Free Theatre. 2023. Source: https://belarusfreetheatre.com/productions/king-stakhs-wild-hunt

    “Ghost Riders in the Sky” (Post) Colonial Tropes in Belarusian Horror Media

    Alesha Serada
    • HTML
  • A female Sakha projectionist (Kinomekhanik-iakutka, L. Faiko, 1951-1954). Library of Congress.

    Provincialising Moscow Reviewing Cinema History from Sakha (Yakutia)

    Caroline Damiens
    • HTML
  • Ukrainian Animation on the Margins of the Empire The Case of Davyd Cherkas’kyi’s Adventure Trilogy

    Olga Blackledge
    • HTML

Artistic Research

  • May You Live in Interesting Times

    May You Live In Interesting Times Transitioning Boredom in Lithuania‘s (Post-)Soviet Image Cultures

    Martyna Ratnik
    • HTML

Reviews

  • “Smoke Sauna Sisterhood” (2023) by Anna Hints Film Review

    Andrea Pócsik
    • HTML (Magyar)
  • Ksenya Gurshtein and Sonja Simonyi (eds.): “Experimental Cinemas in State-Socialist Eastern Europe” Amsterdam: Amsterdam University Press, 2022, ISBN: 9789048532964, 344 p.


    Kornelia Boczkowska
    • HTML

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Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe   ISSN: 2365-77 

 

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