Dijana Jelača: Dislocating Screen Memory. Narrating Trauma in Post-Yugoslav Cinema.

Authors

  • Anna Batori Lecturer in Film Studies  Faculty of Theater and Film Babes-Bolyai University, Cluj-Napoca

DOI:

https://doi.org/10.17892/app.2018.0007.117

Keywords:

Post-Yugoslav Cinema, war trauma, cultural studies, postmemory, trans-ethnicity, perpetrator trauma, victim trauma.

Abstract

Anna Batori's review of the book Dislocating Screen Memory. Narrating Trauma in Post-Yugoslav Cinema by Dijana Jelača

Author Biography

Anna Batori, Lecturer in Film Studies  Faculty of Theater and Film Babes-Bolyai University, Cluj-Napoca

Anna Batori is a Lecturer in Film Studies at the Babeş-Bolyai University (Cluj-Napoca, Romania) with an MA in Film Studies (Eötvös Loránd University, 2012) and a PhD in Film Studies (University of Glasgow/Screen, 2017). Her recent book, Space and Place in Romanian and Hungarian Cinema (2018), is published by Palgrave Macmillan. She writes and teaches on European and world cinema, modern film theory and digitised narrative techniques.

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Published

07-12-2018

How to Cite

Batori, Anna. 2018. “Dijana Jelača: Dislocating Screen Memory. Narrating Trauma in Post-Yugoslav Cinema”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 7 (December). https://doi.org/10.17892/app.2018.0007.117.

Issue

No. 7 (2018): Women Cutting Movies: Editors from East and Central Europe

Section

Reviews

License

Copyright (c) 2018 Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The articles in Apparatus are published under https://creativecommons.org/licenses/by/4.0/ This license does not apply to the media referenced, which are subject to the individual rights owner's terms.

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