No. 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s

View No. 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s

Edited by Adelheid Heftberger and Karen Pearlman

DOI: https://doi.org/10.17892/app.2018.0006

Published: 10-08-2018

Editorial

Recognising Women’s Work as Creative Work

Karen Pearlman, Adelheid Heftberger
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Articles

Creative Editing: Svilova and Vertov’s Distributed Cognition

Karen Pearlman, John MacKay, John Sutton
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Film Editing as Women’s Work: Ėsfir’ Shub, Elizaveta Svilova, and the Culture of Soviet Montage

Lilya Kaganovsky
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The Disappearing Theoretician: From Anna Li to A.N. Pudovkina

Natalie Ryabchikova
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Female editors in Russian Cinema:
Vera Dmitrievna Popova-Khanzhonkova

Николай Изволов
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Stekliannyi Glaz (The Glass Eye) and Karmen – The Actress, Editor and Director Lilia Brik

Adelheid Heftberger
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Translation

Ėsfir’ Shub on Women in the Editing Room: “The Work of Montazhnitsy” (1927)

Alla Gadassik
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Reviews

Vlad Strukov and Helena Goscilo (eds.): Russian Aviation, Space Flight, and Visual Culture

Alexander Schwarz
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Norbert P. Franz (ed.):
Andrej Tarkovskij: Klassiker – Классик – Classic – Classico

Tatiana Astafeva
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Mary Harrod, Mariana Liz, and Alissa Timoshkina (eds.): The Europeanness of European Cinema. Identity, Meaning, Globalization

Pavel Skopal
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Lenuta Gukin, Janina Falkowska and David Desser (eds.):
Small Cinemas in Global Markets. Genres, Identities, Narratives

Andrea Virginás
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Michael Gott and Todd Herzog (ed.): East, West and Centre: Reframing Post-1989 European Cinema

Marta Brzezińska-Pająk
- HTML (Język Polski)
Anikó Imre: TV Socialism

Ivan Forgacs
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53. MFF w Karlowych Warach

Mikołaj Jakub Góralik
- HTML (Język Polski)