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  3. No. 11 (2020): Yugoslav Performance Art: On the Deferred Production of Knowledge

No. 11 (2020): Yugoslav Performance Art: On the Deferred Production of Knowledge

					View No. 11 (2020): Yugoslav Performance Art: On the Deferred Production of Knowledge

Edited by Goran Pavlić

DOI: https://doi.org/10.17892/app.2020.00011
Published: 23-11-2020

Editorial

  • Yugoslav Performance Art: On the Deferred Production of Knowledge

    Goran Pavlić
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Articles: Yugoslav Performance Art

  • Was Dancing Possible During the Fascist Occupation of Yugoslavia?

    Gal Kirn
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  • Ritual Aspects of the Youth Day Celebration in Yugoslavia

    Jasna Žmak
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  • Politicality of Reading and Listening in the Performance The Discreet Charm of Marxism by Bojan Djordjev

    Tanja Šljivar
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  • Apparatus as Content: The Performativity of Technology and Yugoslav Experimental Film

    Petra Belc
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  • Many Lives of Perfomance: A Short Review

    Dejan Sretenović
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Archival Research

  • Pavel Urbanovich, Teacher of Biomechanics

    Irina Sirotkina, Valerii Zolotukhin
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Reviews

  • Sergei Eisenstein, Richard Taylor, William Powell: Beyond the Stars

    Helen Grace
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  • Elena Vogman: Dance of Values. Sergei Eisenstein’s Capital Project

    Gal Kirn
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  • Ana Hedberg Olenina: Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film

    Amanda Jane Barbour
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  • Rimgaila Salys (ed.): The Contemporary Russian Cinema Reader. 2005-2016

    Åsne Ø. Høgetveit
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  • Damon Murray and Stephen Sorrell (eds.): Alcohol: Soviet Anti-Alcohol Posters

    Evgenia Trufanova
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Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe   ISSN: 2365-77 

 

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