No. 7 (2018): Women Cutting Movies: Editors from East and Central Europe

View No. 7 (2018): Women Cutting Movies: Editors from East and Central Europe

Edited by Ana Grgic and Adelheid Heftberger

DOI: https://doi.org/10.17892/app.2018.0007

Published: 07-12-2018

Editorial

Editorial: On Making the Work of Women Editors Visible

Adelheid Heftberger, Ana Grgic
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Articles

Historical exercises: Hungarian sports films as political commentary and historical memory

Terez Vincze
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The Zones of Twilight “Son of Saul” and the Tradition of Holocaust Representation in Hungarian Full-Length Feature Films

Gábor Gelencsér
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Articles: Women Cutting Movies

Authoring from the Shadows: Creativity and the Film Archive in The Autobiography of Nicolae Ceaușescu

Raluca Iacob
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Radojka Tanhofer, Croatia’s Pioneering Film Editor

Jelena Modrić
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When Women Call the Cuts: the Marina Razbezhkina School of Documentary Film

Daria Shembel
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In the Fictional Shadow of Post-Production? The Silenced Creative Community and Gender Hyper(in)visibility Among Film Editors in Contemporary Russia

Anastasia Khodyreva
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Artistic Research

Rhythmic Trajectories – Visualizing Cinematic Rhythm in Film Sequences

Szilvia Ruszev
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Reviews

Dijana Jelača: Dislocating Screen Memory. Narrating Trauma in Post-Yugoslav Cinema.

Anna Batori
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Mario Slugan: Montage as Perceptual Experience. Berlin Alexanderplatz from Döblin to Fassbinder.

Nenad Jovanovic
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Virginás, Andrea (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories.

Andrea Pócsik
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Lucie Česálková (ed.): Staré pověsti české

Jana Rogoff
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Nikita Lary and Jay Leyda (eds.): The Alexander Medvedkin Reader

Alexander Schwarz
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The Future Will Be Different. Visions and Practices of Social Modernisation after 1918 - review of the exhibition and catalogue

Elżbieta Wysocka
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Michael S. Gorham, Ingunn Lunde and Martin Paulsen (eds.): Digital Russia: The language, culture and politics of new media communication

Aivaras Zukauskas
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