Philip Cavendish: The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
DOI:
https://doi.org/10.17892/app.2015.0001.3Keywords:
Eduard Tisse, Sergei Eizenshtein, Anatolii Golovnia, Vsevolod Pudovkin, Andrei Moskvin, Leonid Trauberg, Grigorii Kozintsev, Danilo Demuts’kii, Oleksandr Dovzhenko, Aleksandr Granovskii, Mikhail Kaufman, avant-garde, cinematography, cameramanAbstract
Mario Slugan`s review of Philip Cavendish`s book
The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Apparatus, Mario Slugan
This work is licensed under a Creative Commons Attribution 4.0 International License.
The articles in Apparatus are published under https://creativecommons.org/licenses/by/4.0/ This license does not apply to the media referenced, which are subject to the individual rights owner's terms.
The authors hold the copyright without restrictions and retain publishing rights without restrictions.